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Permalink to Parallax

Parallax

Ok, today’s post is going to be uber geeky. If you’re not into photography maybe skip this one!

When working as an architectural photographer or shooting any other kind of panoramic scene that needs to be stitched together, you need to be concerned about your no-parallax point.

What am I waffling on about? Well, sometimes a wide angle lens just isn’t wide enough. Take today for example, I had to shoot a 10 story building from front on. Which meant shooting from literally just across the street. Near impossible without using a fish eye lens and getting a massive amount of distortion.

To give you an idea of how close I was, here’s the scene shot with a 35mm lens (as wide as most compact cameras go): 

35mm

Here’s the scene, shot with an ultra wide 17mm lens, which still couldn’t do the job:

17mm

When that happens, we need to take a series of vertical images which will then be stitched together digitally in photoshop:

3-images

Sounds straight forward enough, right? Well here’s where it gets tricky. If the camera is mounted on to a standard tripod, the axis of rotation is miles from the front and centre of the lens:

axis-of-rotation-1

Therefore when you rotate the camera around to get your series of images, the scene is not actually captured from the same point of view. This causes items in the foreground to not line up with objects in the background at the overlapping parts of each image. This then obviously makes for a nasty stitching job which is far from ideal.

To get around this, you need to use a special panoramic head for your tripod. This dramatically changes your axis of rotation, then allows for very fine adjustment to ensure that every single thing in the image lines up.
axis-of-rotation-2

The bad news is, you’ll need to set the no-parallax point for each one of your lenses individually. If you’re using zoom lenses then it’ll be different at each point of the zoom as well. The good news is, you only need to do it once! So write down your measurements and carry them along with your gear.

If anyone would like to know detailed instructions of actually setting the no-parallax point, fire away in the comments and I’ll do another post. But for now I think that’s geeky enough!

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Permalink to SWPP Convention

SWPP Convention

Saturday I headed over to the annual Society of Wedding and Portrait Photographers Convention at Novotel London West. Met some really nice people and found a few key suppliers that I’ll be using throughout 2009.

One of the hardest choices for a couple can be deciding on which type of album to go for. I’ve gone through and chosen what I think is the best of the best in each category of album, prints and wall art based on the quality of the look and feel of their finished product.

Albums this year will again be Bellissimo by Loxley Colour. Their customer service is outstanding and although expensive, produce what I think is still the best in the industry. The pages open flat (so we can run big images across 2 pages) and overall the standard of finish is extremely high.

Have also found excellent suppliers for canvas prints, metallic and acrylic wall hangings. One of the things that bothered me about previous acrylics were the brushed metal mounting bolts that could be seen on the front. I think they distract from the image so have very thankfully found a company able to produce and wall mount them without. Looks really fresh having the images presented like that so respect to the guys for figuring it out!

Nicest person of the day award though has to go to the girl on the Digital Photo and Imaging Show stand. Poor thing was stuck by herself in a back corner of the convention. Hope the rest of the show got better for you! For any other pro photographers out there, the DPI Show is at the Islington Design Centre (just around the corner from me!) in June of this year. Check www.dpishow.com for details.

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Permalink to Stepping up

Stepping up

One of the nice surprises waiting for me when I got back to London was my very long awaited Canon 5D Mark II. It’s low light capabilities are pretty amazing. For my clients this means much higher quality images when we have to work with ambient light in dark rooms. It also pumps out a very respectable 21 megapixels, which means I’ll be buying a few more hard drives for the office fairly shortly!

To show the difference in low light quality, here’s a small section of an image shot in a fairly dark room. For the un-photo minded, bright sun lit shots are generally done at 100 ISO. Cloudy afternoon around 400 ISO. Dark churches, 3200 ISO. The higher the ISO the more digital noise that gets introduced in the imaging process. 

Here’s 3200 ISO on my trusty old Canon:

3200_20d

and 3200 ISO on my shiny new Canon (res’d down to match the old camera):

3200_5d2

So much more detail and sharpness in there (and unfortunately shows that I need to clean my speaker!). The new camera can also get pushed a lot further than 3200 ISO, which creates some very interesting possibilities for the future. 

21 megapixels, that means I can now start work on my stock collection as well. Super excited about that as have a list of shots I’ve been piling up. 2009 is the year for pushing forward so it’s head down for me but am really looking forward to it.

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Permalink to Back in the land of the Friesian

Back in the land of the Friesian

Am back in sunny London town again. Here’s the canal directly behind my house. -8 seems to do fun things to water:

frozen-canal_2

frozen-canal

Slight bit of a change from:

shoalwater

Still it’s great to be back as I absolutely love the buzz of London and miss it when I’m away. Here’s to a brilliant 2009 everyone.

Thanks to Bruce for the sunny photo and letting me have a cruise around on your stand up paddle board. Fair bit larger than what I’d normally be in the ocean on! but perfect for a bit of fun when the surf’s on vacation :)

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Permalink to Sunday Session

Sunday Session

The day after the wedding, Dani’s parents hosted a Sundowner at their place in Shoalwater. Brilliant spot, literally across the road from the beach and being on the west coast, home to a brilliant sunset almost every day! Not a bad life really?

sundowner

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Anyway I couldn’t resist the opportunity to grab a few shots as the sun went down and here’s the results. To bring out the colour of the sky, I underexposed the ambient light dramatically:

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Next, I corrected for the now very dark couple in the foreground by using a wirelessly triggered flash through a portable softbox. Here’s the legendary Brad Htoon (one of Perth’s finest graphic designers) keeping the flash high and counterbalancing perfectly with a cold beverage. Nice work! 

sundowner-prep

Here’s the final result. The combination of flash and ambient really makes the couple pop and creates some beautiful background colour.

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I love shooting with natural light too, so we did both, but you just don’t get the same colour impact without the off camera flash and very helpful assistants (Big thanks to Adam, Dani, Brad and Rochelle!)

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